Darker and slower than most Stripes singles, "Icky Thump" is their very own "Immigrant Song," with guitars that chug menacingly and lyrics that run the gamut from fever dream meditations on redhead senoritas to pointed political statements ("Why don't you kick yourself out/You're an immigrant too"). Once again, though, the Stripes defy expectations, and their "return to rock" isn't necessarily a return to the kind of rock they mastered on Elephant.Īside from the searing "Bone Broke," which would fit on almost any White Stripes album (and in fact was partially written in 1998), on Icky Thump Jack and Meg push the boundaries of their louder side.
Jack White's guitars are back in a big way "Catch Hell Blues" is a particularly fine showcase for his playing. And, while Get Behind Me Satan was heavy on pianos, Icky Thump is just plain heavy, dominated by primal, stomping rock that feels like it's been caged for a very long time and is just now being released.
"300 MPH Torrential Outpour Blues"' acoustic blues and carefully crafted wordplay hark back to "Sister, Do You Know My Name." Meanwhile, "Rag & Bone" is a cute, ragamuffin cousin of "Let's Build a Home" that casts Jack and Meg as enterprising garbage-pickers the sly grin in Jack's voice as he says "we'll give it a.home" is palpable. The eclectic feel of Get Behind Me Satan remains, but is less obvious interestingly, out of all the band's previous work, Icky Thump's brash and confessional songs most closely resemble De Stijl. Though it was recorded at Nashville's state-of-the-art Blackbird Studio and covers everything from bagpipes to metal, Icky Thump is unmistakably a White Stripes album. Those fears were as unfounded as the speculation that White's new hometown meant that the band was going to "go country" (after all, Jack and Meg are wearing the costumes of London's Pearly Kings and Queens, not Nudie suits, on Icky Thump's cover). A lot changed in the White Stripes' world between Get Behind Me Satan and Icky Thump: Meg White moved to L.A., while Jack White left Detroit for Nashville, married and had a daughter, and formed the Raconteurs, a side project that won so much praise that some fans worried that it meant the end of the Stripes.
0 kommentar(er)
